Werewolves are black
I like everything written by Spencer, but this book is not my favorite. In fact, I liked it least of all her novels.
This one starts with Joshua, a regular eighteen-year-old high school senior, suddenly becoming a werewolf. Afraid to hurt his family and bewildered by what's happening to him, Joshua runs away from home and ends up in Boston. While Joshua tries to get his act together and adjust to being a werewolf, he meets a variety of characters: Decker, the vampire, Winnie, the medium, Elise, the angelic warrior who fights evil, and finally, other werewolves, the ones responsible for his transformation.
One of the werewolves, probably the most important to this story, is Seth, a sixteen-year-old werewolf and a Prince of Boston. To keep all of Boston from contamination by evil is his reason for existing, and he’ll do anything to keep Joshua safe. Unfortunately, Seth has troubles of his own, one of them being a minor – he is only sixteen.
All of the above are the good guys. Mostly. There are bad guys too, the Wickers, the villainous cabal of witches and warlocks, and Joshua is central to their plan for world-domination. Joshua himself doesn’t realize it, and nobody but the Wickers know what they plan to do with him, except that it would surely be something horrendous. Most of the story is a mad scramble by the other characters to keep Joshua safe, discover the Wickers’ heinous ploy, and stop it before Boston is plunged into darkness.
Bad stuff
- Too many POVs. There are 4 POV characters – Joshua, Seth, Decker, and Elise - and the chapters for them alternate, which makes for a jumpy ride for the reader. Joshua and Seth are paramount to this story. Their POVs are needed. The other two just dilute the reader’s attention and distract from the protagonists’ struggles. Even worse: less page space for each of the two heroes result in sketchy characterization for everyone. We don’t have time to bond with any of the characters; they are all too distant. I wasn’t emotionally involved with any of them, and that’s a huge flaw in fiction.
- Proofreading. Or rather the lack of it. There are too many extra words or missed words or words out of place. I read a hardcover, but it felt like a bad Kindle file.
Good stuff
- Beautiful, full-page B&W illustrations. Almost every chapter has one, and they enhance the reading experience tremendously. In the past, artists routinely illustrated adult literature, but the practice has fallen off the wagon in the past couple hundred years. Modern publishing mostly relegated illustrations to picture books for children, but I hope the tradition will make a comeback soon, and we’ll see the artistic interpretations of our favorite characters on the pages again, not just in the movies.
- Humor. Oh, yeah! There are many places in the book where I laughed, and chuckled, and giggled, and shook my head at the absurdity of the familiar, as seen through the sharp eyes of the author.
- World building. It’s a strong aspect of Spencer’s writing in general. Every stand-alone book and every series of hers introduces a world that is unique and interesting. In this one, there are werewolves and vampires, like in many other paranormal fantasy books, but the writer sees them in a different way. Her werewolves are magical creatures who guard the Earth from evil monsters and prevent breaches in reality that spawn the aforementioned monsters. Her vampire is an original. He doesn’t drink blood. To sustain himself, he drinks life-essence through a kiss. Besides, he is depressed and lonely, and his depression manifests as hoarding.
- Story. Yes, the story is fascinating, and the tension builds the way it should. Despite my general disappointment with the characters, I still want to know what will happen to them next. If there is a second book in the series, I’ll definitely read it.